To honor Aphrodite, Sannion has put up three goddess-related posts on his Livejournal, and as I am myself a devotee of the Cyprian, I wanted to share them with my readers. First, he shares a meditation he wrote on the cosmic significance of Aphrodite:
We think of her primarily in connection with our courtships and pleasant dalliances – and she is certainly there. But she is also a cosmic goddess (Aphrodite Ourania), driving on the heavenly bodies in their eternal dance through the bleakness of space, and she is the force that bonds communities together on both the familial and political level (Aphrodite Pandemos), and she governs form itself (Aphrodite Morpho), for all bodies are a collection of random molecules following an ordered pattern, and without her influence they would spin off into nothingness. And no less importantly, Aphrodite is the source for our yearning for the immaterial, for something greater than ourselves, something spiritual, eternal, beyond what we can see, and feel, quantify and categorize. The mystic fervently praying for union with god, the poet dreaming of another world, the philosopher seeking to plumb the mysteries of the universe – are not all of these, in their own way, under the spell of Aphrodite?
It is love that makes life worth living, love that allows us to conceive of “life” as something more than just biological existence, love that opens our eyes and hearts to the wonder of existence and fills us with a longing for more and more of it, until our souls are quenched and our being spills over with an abundance of experiences and emotions and everything else that makes us human and more than human.
I think there’s more to it than that, even, especially when you consider that some myths of the birth of Aphrodite have her emerge from the sea, spawned by the severed genitalia of Uranus himself. Aphrodite emerges from the most primal of cosmic sources (both from the ur-god of the universe and from the sea i.e. the murky and mysterious origin of life on earth), moreso than any of the other Olympian gods or goddesses, and that can be neither mere coincidence nor quirky, meaningless tale. As a goddess she is fundamentally connected to the primordial cosmos and the beating heart of what it means to be alive and a part of the universe.
Sannion’s next post of the day is an exploration of conceptions of Aphrodite in Greco-Roman Egypt, a natural place for him to go since he’s pretty much explicitly a Greco-Egyptian syncretist. Although I myself am not, I do think there is a lot of insight to be gained from ancient Egyptian religion, especially for a worshipper of the Hellenic gods. In any case, Sannion focuses on the funerary aspect of Aphrodite. As usual, I am interested in any conception of the goddess that goes beyond pigeonholing her as a living embodiment of Valentine’s Day (especially since I originally came to know Aphrodite in her aspect as a goddess of war). I think one of the trickiest things about the Hellenic gods in general is that most of them have an easy handle as “the god of [something],” and it is easy to forget that they are all complicated, multifaceted figures with diverse personalities, correspondences, and significances. Sannion explains, however, how these different conceptions and seemingly diverse or even unrelated aspects can be tied together:
Concerns with death are an organic outgrowth of being a goddess so intimately, so fundamentally connected with the processes of life. (You can’t have one without the other, and if you dig deep enough you’ll discover why.) The abundance of life that is her blessing was so great, so powerful that it could transcend the artificial boundaries of death – opening up onto an even greater fullness of life. This was done by aligning themselves with her, by becoming suffused with her divine identity until it was their own… [s]tuff like this really makes you wonder.
Finally, Sannion treats us with a description of his visit to a rose garden as intentional worship of the goddess:
As I walked down the rows and rows of flowers I was struck by the beauty and complexity of nature – and how much Aphrodite is involved in all of it. I mean, why are there so many different colors of flowers? It serves no definite purpose … except that it does, really. Seduction. The flowers are trying to attract the plump little bees to come and rub up against them so that their pollen will spread and their species survive. And further, they’ve learned to produce colors that appeal to us humans so that we will plant more of them and protect them and ensure that they thrive. I kept flashing back to things that Michael Pollan had said in Botany of Desire (which is a really great book that you should read if you haven’t already) and how charming Aphrodite was behind it all. I mean, those flowers first sprang up when her delicate feet touched the earth as she rose from the waters in primordial times…
So, I just sat there blissing out and overwhelmed with gratitude, and then all of a sudden I could feel Aphrodite, and she was so warm and beautiful and loving and soft, and I basked in her presence for a while, feeling so peaceful and content and happy.
The way he describes Aphrodite pierces me to the center of my heart because I know the feelings he is describing so intimately. Whatever the true nature of the gods is, I am certain that they are at least in some sense real in a way that transcends the individual’s purely subjective experience. While different people experience different facets of the same deity at different times, there seems ot be just too much that really is the same about people’s experiences. Sannion and I are tapping into the same force or presence, whatever we want to call it. She is real, and she is powerful, and she exists at the very quick of what it means to be a human being:
That is who Aphrodite is – one of the greatest and most important goddesses that man has ever known.