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Archive for the ‘Literature’ Category

“I’m sorry. But please-”

“Speak on, dear heart.”

“Shall I ever be able to read that story again; the one I couldn’t remember? Will you tell it to me, Aslan? Oh do,do,do.”

“Indeed, yes, I will tell it to you for years and years.”

-C.S. Lewis, The Voyage of the Dawn Treader

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No one is without Christianity, if we agree on what we mean by that word. It is every individual’s individual code of behavior by means of which he makes himself a better human being than his nature wants to be, if he followed his nature only. Whatever its symbol — cross or crescent or whatever — that symbol is man’s reminder of his duty inside the human race. Its various allegories are the charts against which he measures himself and learns to know what he is. It cannot teach a man to be good as the textbook teaches him mathematics. It shows him how to discover himself, evolve for himself a moral codes and standard within his capacities and aspirations, by giving him a matchless example of suffering and sacrifice and the promise of hope.

from an interview with Jean Stein in 1958

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I finished Eudora Welty’s The Optimist’s Daughter quite quickly (it’s a pretty short novel, after all) and I’m still sort of mentally unpacking it. In retrospect, I don’t thin there’s as much to warrant a comparison with Agee as I had assumed. They’re both Southern novels with narratives around a dead person, but honestly that’s about it. Oh, and they both won Pulitzers. And neither of them has much in common with As I Lay Dying, either (although As I Lay Dying and A Death In The Family are interesting because of the ways they approach the death of a parent through the eyes of a child as a kind of secondary or tertiary POV). But like I said, I’m still chewing on it.

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I’m about two-thirds of the way through William Faulkner’s Intruder in the Dust, and few things in the world could make me happer. It’s not my favorite of Faulkner’s novels by any stretch (obviously I like Absalom, Absalom! best, but I also have an immense love for The Reivers, The Sound and the Fury and A Light in August), but just reading anything at all by Faulkner makes me feel comforted and at home. I get lost in it and I resent having to come back out. Reading Faulkner is like holding your head underwater, except instead of water it’s the human experience filtered through the complicated, painful and exquisitely beautiful legacy of the South, deeply rooted in place, and written in hypnotic prose that tastes like river water, blood and a humid summer twilight. And unlike water, you can breathe it. It’s not easy to breathe–it’s heady–but you can breathe it. And it’s insidiously addictive.

I started reading books generally in a more disciplined fashion about two years ago when I began picking up westerns. My rule is that I read no more than one fiction and one non-fiction book at a time (short stories and short story collections don’t count), and I finish the one (or intentionally decide to not finish it, which I have done a number of times) before I pick up the next. This keeps me from meandering through the first thirty pages of book after book with no direction and no sense of satisfaction and never finishing or appreciating anything. It’s been a good system, and as a result I very well may have read probably more books in the last two years than in the ten before that–certainly better books.

Like I said, I started with westerns and enjoyed them immensely, but via Cormac McCarthy I wound up transitioning from westerns to my true love, the Southern literary tradition. Simultaneously, I transitioned from westerns to Civil War obsession, which is deeply and inseparably related to Southern literature, but is a topic for another day. I like McCarthy’s westerns quite a bit (although I think I may prefer All The Pretty Horses to Blood Meridian), but his early East Tennessee novels (Outer Dark, Suttree and The Orchard Keeper; I have not yet read Child of God) captured me and held me under a spell the way the cowboy books don’t. Maybe it’s because I was raised in East Tennessee. Maybe it’s just because they’re good books. Probably both, but for me they are also ghost-haunted and harrowing, and they capture perfectly the stillness and terror and the deep longing I have for those wooded hills. I have ancestors who crawled out of those mountains more than a century ago, and I feel them wriggling in my blood: when I read McCarthy, they are roused and they answer.

But McCarthy also put me in a mood to go back and re-read Absalom, Absalom!, which I had not read since high school, and I was done. It was finished. Since then I have been working my way determinedly through the Southern canon and having an honest to God hard time trying to figure out why I would want to bother reading anything else.

I read nearly everything Flannery O’Connor wrote with grotesque and gleeful abandon. I read James Dickey’s Deliverance while every muscle in my body was tense for nearly the entire read (I had to stop periodically to relax and breathe). I mourned for the loss of William Gay just days after I finished Provinces of Night. I’m slowly working my way through Shelby Foote’s Civil War. I’ve read Carson McCullers and James Agee.

And today I’m reading Intruder. I’m not sure what’s next; I have deliberated re-reading Suttree, but I have a long list of what I want to read and a big bag of used books sitting on a shelf downstairs. And all too often, with whatever I am reading, I just wish I was reading Faulkner instead.

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